Like many musicians, François-Frédéric Guy compares his recordings to photographs – snapshots of how he felt about a particular work at a particular time. “It doesn’t mean it is for ever,” he emphasises.

“I’m ambivalent about recording. Everything has been recorded already, so what is the purpose of making records? When Tower Records in LA has to close because there is no longer a market for records, how can we keep recording and recording? But marketing is important, and a record allows the public to better know an artist. I recognise that records are significant promotional tools. If you see your picture in a shop in the city, that matters.”

The fact remains that Guy’s recordings have been highly praised for their power, passion and insight. He, however, is disarmingly modest. “I was very touched that the BBC chose my recording of the Hammerklavier above all others for its recommendation. But to be honest, if I were buying a recording I would go straight to Richter or Gilels! Why would anyone choose François-Frédéric Guy in preference if they were not a relative of mine!?”